Exhibitor listing

Vallarino Fine Art

Vallarino Fine Art
222 E 49th Street #1
New York City, New York 10017
United States
T  212-628-0722
info@vallarinofineart.com
www.vallarinofineart.com

E-mail address : info@vallarinofineart.com
Website :http://www.vallarinofineart.com

ABOUT

Vincent Vallarino Fine Art specializes in Post War American Abstract Expressionism. Our extensive inventory includes artists from the first and second generation for the New York School of action painters

  • Masha Stroganova Gallery Director

  • Vanessa Vallarino Studio Director

  • Hutton Jordan Studio Manager

  • Vincent Vallarino Owner

Exhibitor's Artists:

  • Norman Bluhm

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  • Ilya Bolotowsky

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  • Hans Burkhardt

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  • Gene Davis  (+)

    Artist's Objects:

    • Gene Davis - Sweet Hopscotch

      Sweet Hopscotch

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  • Friedel Dzubas  (+)

    Artist's Objects:

    • Friedel Dzubas - Waycross

      Waycross

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  • Hans Hofmann  (+)

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  • Paul Jenkins  (+)

    Artist's Objects:

    • Paul Jenkins - Phenomena Traces of the Tide

      Phenomena Traces of the Tide

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  • Michael Loew

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  • Robert Motherwell

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  • Raymond Parker  (+)

    Artist's Objects:

    • Raymond Parker - Green and Red

      Green and Red

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  • Charles Green Shaw

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  • Vivian Springford  (+)

    Biography : Vivian Springford American, b. 1914 Vivian Springford, an artist best known for her “Black Paintings” of the 1950s-early 60s, and later, her vivid stained color field paintings, is having a second coming. The reclusive painter began as a portraitist before being sucked into the orbit of the New York School. She later became close friends and studio-mates with the Asian artist Walasse Ting, while helping him to translate his poetry. Through Ting, Springford met, and became close friends with such artists as Pierre Alechinsky, Sam Francis, and Karel Appel. The confluence of these various inspirations is apparent in her work. Ting introduced her to Asian art and philosophy, which had an enormous influence on Springford, as evident in the delicate, calligraphic feel in her scribblings. These early “black paintings” are filled with movement and expressiveness, but also seem referential. They seem to not only relate to personal, immediate experience, but also to allude to age-old symbols and philosophies. Springford’s stain paintings are expansive, and often seem to blossom out from one central point on the canvas, radiating into translucence. They’re scale is ambiguous--they feel both cosmic and microscopic at the same time. The varying densities of color make them feel as if they are pushing outward and evolving even as you stand in front of them. Springford’s layers and structures, be they celestial or cellular, are light and ethereal but are also grounded in the physical patterns of the universe or the human body. There is a quiet dynamism in Springford’s work that is undeniable, and an impressive use of color that manages to create depth without weight. Springford was born in Milwaukee, Wisconsin, and attended the Spence School in New York City. Her artistic education came predominantly from the Art Students League. The infamous art critic Harold Rosenberg helped Springford get her first show in 1960 at the Great Jones Gallery in New

    Exhibition : Select Solo Exhibitions
    1960 Great Jones Gallery, New York, NY
    1963 Preston Gallery, New York, NY
    1975 Gallery Without Walls, Saranac Lake, NY
    1976 WIA Foundation, New York, NY
    1979 St. Peter’s Church, Citicorp Building, New York, NY
    1979 Studio Exhibition, New York, NY
    1998 Snyder Fine Art, New York, NY
    2009 Gary Snyder Project Space, NY


    Select Group Exhibitions
    1959 National Academy of Design
    1962 Balin Traube Gallery
    1963 Preston Gallery
    1970 Esther Bear Gallery, Santa Barbara, CA
    1971 Bertha Schaeffer Gallery, New York, NY
    1975 Works on Paper, Brooklyn Museum, NY
    1976 Manhattan College, NY
    1976 Chatham College, Pittsburgh, PA
    SUNY Binghampton
    1978 Cork Gallery, New York, NY
    1979 Marymount College, New York, NY
    Connecticut College, New London, CT
    1980 Artists Equity, New York, NY
    2008 Gary Snyder Project Space, NY
    2009 McCormick Gallery, IL
    2009 Gary Snyder Project Space, NY

    Artist's Objects:

    • Vivian Springford - Martinique Series (VSF303)

      Martinique Series (VSF303)

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  • Michael Corinne West

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  • Emerson Woelffer

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Other Artists represented by the Gallery:


Sweet Hopscotch - Gene Davis

Gene Davis - American, 1920-1985

Sweet Hopscotch

Acrylic on canvas, 1960
91 ¾ x 110 ¾ inches

Green and Red - Raymond Parker

Ray Parker - American, 1922-1990

Green and Red

Oil on canvas, 1960
65 x 65 inches
Signed and dated verso

Waycross - Friedel Dzubas

Friedel Dzubas - German/American, 1915-1994

Waycross

Oil on canvas, 1962
72 7/8 x 65 7/8 inches
Signed, titled, and dated verso

Phenomena Traces of the Tide - Paul Jenkins

Paul Jenkins

Phenomena Traces of the Tide

Acrylic on canvas
1969
80 x 40 inches
Signed lower left

Martinique Series (VSF303) - Vivian Springford

Vivian Springford

Martinique Series (VSF303)

Acrylic on canvas
c. 1974
68 3/4 x 68 1/2 inches